The credit sequences used in Marvel Cinematic Universe films have been a source of controversy throughout Phase 4; however, Spider-Man: No Way Home’s stingers reimagine these sequences purpose and significance for the series.
SPOILER ALERT for “Spider-Man: No Way Home” and “Doctor Strange in the Multiverse of Madness” are coming. Please proceed with caution.
The teases and set-ups in the Marvel Cinematic Universe’s end-credits sequences have been a mainstay for the series for a long time, but Spider-Man: No Way Home gave a refreshing new perspective on their immediate relevance and how they should be handled in future productions.
Although the Marvel Cinematic Universe did not develop post-credits sequences, the franchise did pave the way for the inclusion of such sequences in almost all high-grossing movies and television shows by making it a requirement that such sequences be included in such works.
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Because the Marvel Cinematic Universe has such a wide number of people, worlds, and unique things, each end-credits sequence in the series has become its own “spectacle”.
These scenes often either establish in-universe links for future films or foreshadow a surprising plot twist.
There were 2 post sequences in Spider-Man: No Way Home. Each of them had the challenging job of following up the emotionally powerful finale, wherein Peter doesn’t uphold his word to MJ and Ned and rather lets them live their lives without knowing who Peter Parker is.
During the mid-credits sequence, Eddie Brock/Venom from Sony is shown at a pub getting caught up on what’s been occurring in the Marvel Cinematic Universe.
He is instantly sent back to his own world, but not before leaving the black goo that has the potential to infect a Marvel Cinematic Universe figure behind.
The clip that played after the credits rolled in No Way Home wasn’t really a scene at all; rather, it was an official teaser trailer for the forthcoming Marvel Cinematic Universe feature, Doctor Strange, in the Multiverse of Madness.
The credit sequences in Spider-Man: No Way Home was hardly the kind of jaw-dropping teases that the Marvel Cinematic Universe is renowned for, so it is not unexpected that fans had mixed reactions to them.
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Even though the post-credits stingers in No Way Home were distinct from those in other Marvel Cinematic Universe films, the film’s innovative strategy for future and past credit sequences might potentially encourage subsequent installments in the series to adopt a similar strategy.
The credits for Spider-Man: No Way Home was a welcome departure from the standard procedure used by the Marvel Cinematic Universe (MCU), and they could even end up influencing how things are done moving forward within the series.
Spider-Man: No Way Home Raise the Stakes for the Post-Credits Scene in Far From Home
Reusing the mid-credits sequence from Spider-Man: Far From Home in Spider-Man: No Way Home was among the most significant ways in which the film deviated from the standard post-credits legacy of the Marvel Cinematic Universe.
In the last act of the 2019 film, “Far From Home,” Peter swings down into the city with Mary Jane, only to find that Mysterio’s (Jake Gyllenhaal) surprise video revealing Peter Parker’s real identity has been aired on each and every display.
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In the subsequent film, Spider-Man: No Way Home, the opening sequence has Peter Parker watching the transmission, evading furious crowds, and instantly swinging Mary Jane away from there.
This was completely uncharted terrain for the Marvel Cinematic Universe since stingers had previously been conceived of as independent entities that would never appear in subsequent works.
Rather, No Way Home elevates the sequence from Far From Home to the status of one of the most pivotal stingers in the history of the Marvel Cinematic Universe.
It was necessary for viewers to have witnessed the post-credits stinger in Spider-Man: Far From Home in order to understand that the happenings in Spider-Man: No Way Home was picking up not immediately after, but in that present time.
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There wasn’t any clarification given prior to the occurrences that took place in Spider-Man: No Way Home.
The Credit Scenes in “No Way Home” Are Unlike Those in Most Other Marvel Cinematic Universe Films
Post-credits scenes in the Marvel Cinematic Universe have traditionally consisted of either brief teaser sequences, a post ending humor scene, or a significant setting for characters within the same film or the larger cinematic universe.
The credit sequences of Spider-Man: No Way Home vary greatly from the MCU usual in that none of its stingers offer a teaser clip for a character from No Way Home or any other MCU character, nor do they provide any important set-up information.
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As a result of the fact that the sequence in the middle of the credits of Venom ties to a completely other reality of Sony’s Spider-Man films in which he gets blasted back to his original universe, the fact that Eddie Brock will be joining the Marvel Cinematic Universe is not formally revealed.
The only thing about it that might maybe be deemed a twist is the goo that he dumps behind, but based on when the following Marvel Cinematic Universe Spider-Man tale takes place, this could not possibly come to reality for a significant long time.
It was not a preview nor a “scenario” at all; rather, it was the teaser for Doctor Strange in the Multiverse of Madness that played after the credits rolled in No Way Home. This made the scene utterly unique.
Following the initial success of Captain America: The First Avenger’s post-credits trailer for The Avengers, the Marvel Cinematic Universe (MCU) decided to use a trailer for a future film for an after-credits picture instantly upon the film’s launch.
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This is the 2nd time that the MCU has done this; the very first time was Captain America: The First Avenger’s post-credits teaser for The Avengers, which was primarily only a “snack” for in-theater audiences till the trailer was launched online.
The post-credits sequences in Spider-Man: No Way Home aren’t like anything else seen in the Marvel Cinematic Universe, but that’s not always a negative factor.
Quite the opposite, it’s a breath of new air after a decade of getting the same kind of teasers, which tend to obscure the actions of the movie, aren’t of a high standard, or slide into a pitfall that excessively arouses viewers.
Changes to the MCU Credits System for No Way Home Were Necessary for Phase 4
Because of the lackluster quality of the Marvel Cinematic Universe’s Phase 4 credit sequences, a change-up has been required for a long time and the stinger method that Spider-Man: No Way Home took was precisely what the series required.
The MCU, particularly Phase 4, has been guilty of repeatedly presenting fans with a setup for the following picture, a significant world twist, or a jaw-dropping moment depending on whomever or whatever emerges, rather than giving them time to relax, celebrate, and think on what occurred in the movie.
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It is confusing to have credit sequences that have such great standards and links, and it is frequently disrespectful to the feature film that people have just seen, which was almost 2 hours long.
There have been many post-credits sequences that have been thrilling, amusing, and significant, which have eventually felt gratifying, like the one in Far From Home.
However, some post-credits scenes are mere of a rather poor quality, or they wind up not signifying anything if whatever action they’re building up actually takes too much to unfold, similar to the Scorpion credit sequence in Spider-Man: Homecoming.
It has already been established that Phase 4 is often to blame for low-quality post-credits sequences that are just variations on a theme or stingers that cast a shade over the whole film.
This practice was pioneered by Black Widow including its Yelena and Valentina credits sequence, which resulted in giving the impression of a more significant occurrence than what had really taken place in the film.
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After the movie Eternals was premiered, the most talked about topic was the film’s post-credits sequences, which revealed that Harry Styles’ character Eros and Mahershala Ali’s character Blade would be joining the Marvel Cinematic Universe.
In a related vein, Shang-Chi and the Legend of the Ten Rings was an outstanding motion picture; however, when people left the cinema, the majority of them talked about the mid-credits looks of Bruce Banner and Carol Danvers instead of the persuasive themes explored in the film or the outstanding work done by the actors and crew.
Because of the magnitude of its movie as a circumstance putting together Tobey Maguire, Andrew Garfield, and Tom Holland’s Spider-Men, No Way Home, fortunately, does not struggle with this issue.
This is possibly due to the fact that the movie itself is an enormous occasion, but it is also due to the fact that its credit scenes take an entirely unique approach.
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Regardless of whether the Venom stinger is of questionable production value and the Doctor Strange 2 teaser scarcely qualifies as an “episode,” at least the post-credits sequences in Spider-Man: No Way Home is unique. It also, however, does not necessarily imply that they are of high quality.
Well after the downturn that the Marvel Cinematic Universe has been in ever since Avengers: Endgame, it is reassuring to see the most major of all the Phase 4 movies reinvigorating the franchise’s most important mainstay character.
Spider-Man: No Way Home was indeed the ideal film with which to launch the Marvel Cinematic Universe’s (MCU’s) new post-credits format since almost no one was able to pull themselves away long enough from the film’s epic, emotional conclusion, and multiversal throwbacks to consider the stingers.
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Will Other Phase 4 Films Take a Similar Strategy to the After-Credits Scene as No Way Home Did?
It appears that the Marvel Cinematic Universe will have the ability to keep taking chances and diverging from the standard more frequently as long as the standard of the Phase 4 films in the MCU continues to be strong like No Way Home.
Even if the after-credits sequences should just not be more of a topic of conversation than the MCU movie itself, they should nevertheless be equally significant or serve a function in some way.
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Potentially though it wasn’t especially effective, the Venom stinger in No Way Home had a purpose by establishing a bridge to other Spider-Man worlds.
This might even pave the way for Andrew Garfield to make a comeback as Spider-Man after the events of No Way Home.
The audience was swiftly given a new glimpse at where Doctor Strange was heading following the happenings of No Way Home thanks to the teaser for Doctor Strange 2, which also revealed its link to the post-credits sequence of the Marvel Cinematic Universe’s Phase 4 movie WandaVision.
The way in which Spider-Man handled the Marvel Cinematic Universe’s post-credits sequence sent a clear message that the series is moving in a completely different direction, which is precisely what it needed after the previous Phase 4 stingers, which were potentially making the movies worse.
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The Ending of Doctor Strange 2 Was Another Post-Credits Scene
The post-credits sequence in Doctor Strange: The Multiverse of Madness is likewise a significant deviation from the norm for what audiences of MCU films may often anticipate.
In spite of the fact that the sorceress Clea, portrayed by Charlize Theron, is seen for the first time in the initial mid-credits scenario, the after-credits sequence is performed more for humorous impact and as a homage to Sam Raimi’s method of cinematography.
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In the sequence, Bruce Campbell, who frequently appears in cameo roles in Sam Raimi’s films, portrays Pizza Poppa, a pizza seller, as he recovers from the effect of Dr. Strange’s spell to self-punch.
After breaking the 4th wall, he exclaims “It’s over!” while looking directly at the camera.
It is perfectly logical when taking into account that Doctor Strange in the Multiverse of Madness leans more towards the horror genre, while Raimi is recognized for successfully mixing horror with fun.
The post-credits sequence in Doctor Strange 2 is a breath of fresh air (even if it is stupid), since it does not hint any more Phase 4 material and instead focuses on providing over-the-top amusement.
In future entries, the Marvel Cinematic Universe may profit by incorporating post-credits sequences that are both zanier and less coherent.
In spite of the fact that it ended up deviating from the pattern established by Spider-Man: No Way Home, it seems probable that Guardians of the Galaxy 3 shall continue with James Gunn’s customary comedic end-credits sequences.
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It is difficult to assume that every one of Phase 4’s stingers would take the same unorthodox route as No Way Home did give that the movies in this phase will also receive the new option of putting up Disney+ TV episodes.
Because it is a Sony movie and not a Disney movie, Spider-Man: No Way Home is in the unusual circumstance of having much more leeway to interact with Sony’s Spider-Man universe with much less loyalty to plot twists for Disney’s other Marvel Cinematic Universe films. This gave the film a lot of room for creative freedom.
As a creature that is half in and half out of the series, Spider-Man: No Way Home was better equipped to spin the wheel of MCU post-credits sequences. However, it still expresses optimism that Marvel would decide to perform a task distinct from the standard more often.
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Final Thoughts
In this interesting article, you can take a different approach to how post-credits scenes are filmed in Spider-man No Way Home
